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Never Whistle at Night

An Indigenous Dark Fiction Anthology

Audiobook
1 of 3 copies available
1 of 3 copies available
NATIONAL BESTSELLER • SHIRLEY JACKSON AWARD NOMINEE FOR BEST EDITED ANTHOLOGY BRAM STOKER AWARD NOMINEE FOR SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY • LOCUS AWARD FINALIST
A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?”
“Never failed to surprise, delight, and shock.” —Nick Cutter, author of The Troop and Little Heaven
Featuring stories by:

Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce K. Young Wolf • Mathilda Zeller
Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home.
These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.
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    • Publisher's Weekly

      July 31, 2023
      Hawk (Anoka) and Van Alst (Sacred City) present a heavy-hitting arrangement of 26 twisted tales from established and emerging Indigenous North American authors. The collection mixes hauntings (as in Mona Susan Power’s “Dead Owls”) and monsters (in Mathilda Zeller’s “Kushtuka”) from Native tradition, with the more mundane horrors of privileged white racism taken to extremes (in Amber Blaeser-Wardzala’s “Collections”), the devastating effects of abuse (in Kelli Jo Ford’s “Heart-Shaped Clock”), and a touch of satisfyingly violent revenge against mistreatment, both supernatural (in D.H. Trujillo’s “Snakes Are Born in the Dark”) and mundane (in David Heska Wanbli Weiden’s “Sundays”). Hawk’s own contribution, “Behind Colin’s Eyes,” evokes a visceral feeling of being trapped. Family stories and intergenerational relationships form a running theme, taking center stage in Morgan Talty’s “The Prepper,” while the dangerous power of storytelling itself comes to the fore in Richard Van Camp’s gripping “Scariest. Story. Ever.” Lifting up an exciting array of authors, this anthology will be a treat for horror fans.

    • Library Journal

      March 1, 2024

      Editors Hawk (Anoka: A Collection of Indigenous Horror) and Van Alst (Sacred Smokes), both fiction writers in their own right, offer an anthology of spine-tingling tales of hauntings, curses, and other horrors, written by prominent Indigenous authors (including Tommy Orange, Cherie Dimaline, and Brandon Hobson) and presented in audio by a talented ensemble of nine Indigenous narrators. Stephen Graham Jones's prologue, narrated by Sheldon Elter, sets the stage, providing a window into the craft of Indigenous horror. Some of the stories that follow, such as D.H. Trujillo's "Snakes Are Born in the Dark," detail supernatural terror; others, such as Kelli Jo Ford's "Heart-Shaped Clock," highlight real-life horrors, including intergenerational trauma and abuse. Through the anthology's body horror, hauntings, and supernatural creatures, listeners will also encounter the terrible legacy wrought by colonialism and forced assimilation. The large cast of narrators differentiates the stories, signaling changes in mood, tone, and approach and allowing listeners to hear the varied voices and personalities detailed within. VERDICT A collection of Indigenous horror stories that offers something for every listener, from quietly unsettling tales to gruesome body horror. Don't miss it.--Elyssa Everling

      Copyright 2024 Library Journal, LLC Used with permission.

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